Thursday, February 16, 2017

8th Graders Celebrate February by Writing Sonnets

How To Write A Sonnet


Each quatrain should progress the poem as follows:
First quatrain: This should establish the subject of the sonnet.
Number of lines: 4. Rhyme Scheme: ABAB
Second quatrain: This should develop the sonnet’s theme.
Number of lines: 4. Rhyme Scheme: CDCD
Third quatrain: This should round off the sonnet’s theme.
Number of lines: 4. Rhyme Scheme: EFEF
Fourth quatrain: This should act as a conclusion to the sonnet.
Number of lines: 2. Rhyme Scheme: GG


Sonnet Characteristics

A sonnet is simply a poem written in a certain format. You can identify a sonnet if the poem has the following characteristics:
  • 14 lines. All sonnets have 14 lines which can be broken down into four sections called quatrains.
  • A strict rhyme scheme. The rhyme scheme of a Shakespearean sonnet is ABAB / CDCD / EFEF / GG (note the four distinct sections in the rhyme scheme).
  • Written in iambic Pentameter. Sonnets are written in iambic pentameter, a poetic meter with 10 beats per line made up of alternating unstressed and stressed syllables. (Think Dr. Seuss) For example: "Rough winds do shake the darling buds of May".
  • Powerful imagery
  • Subject of love

Shall I compare thee to a summer’s day? (Sonnet 18) by William Shakespeare, 1564 - 1616

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand’rest in his shade,
When in eternal lines to Time thou grow’st.
    So long as men can breathe, or eyes can see,
    So long lives this, and this gives life to thee.

Tuesday, January 24, 2017

Poem due Thursday, Jan. 26




You have learned about the following poetic devices and have examples of them in your poetry packet. As you continue to write your poem that began with imagery, include these other devices.

The Images:
Imagery
Simile or Metaphor

The Sounds:
Alliteration
Assonance or Consonnance
Onomatopoeia

Requirements:
  • At least 20 lines
  • No COPS errors
  • Line breaks that make sense - your poem should look like and be written like a poem, not an essay with sentences.
  • Thoughtful punctuation - throughout the lines and/or at the end of the lines
  • Keep your five senses (especially sound) in mind as you craft your poem.
  • Typed
  • Due Thursday, January 26

Check out the examples of assonance and consonnance here.

Examples of Alliteration
  • The wicked witch of the west
  • Larry, like Laura, likes leaving late.
  • Freezing frost in February
  • Johnny jumped and jiggled.

WHAT IS CONSONANCE?

Consonance is often confused with alliteration, and understandably so. Consonance is similar to alliteration in the fact that it deals with the repetition of consonants. However, the repetition in consonance occurs with the inner consonant sounds, or those at the ends of words, rather than the consonants at the beginning of the words in a phrase.
Examples of Consonance
  • He struck some good luck.
  • Think tank
  • Touch the peach on the beach.
  • The big frog was on a log.

WHAT IS ASSONANCE?

Similar to both consonance and alliteration, assonance uses the repetition of a pattern of sound. In assonance, the repetition occurs with the vowels inside the words, rather than the consonants. It is used online shop to create internal rhyming within a phrase or sentence in a more subtle manner than with alliteration.
Examples of Assonance
  • There was a rock in a box that was locked.
  • The cat came back to attack the man.
  • A white owl was flying high in the night.

Thursday, December 8, 2016

Creative Writing Rubric

General Writer’s Workshop Rubric
Score 
( /10)
Writing Traits

CLEAR, WELL-ORGANIZED, WELL-DEVELOPED IDEAS
  • The writer’s purpose is clear.
  • Transitions are used to connect paragraphs.
  • Introduction, body, and conclusion provide logical sequencing of ideas.
  • Narrative shows a sense of story/plot arc (remember conflict moves action)

SENTENCE VARIATION IN PARAGRAPHS
  • Lead sentence captures the reader's attention.
  • Sentence lengths and structures are varied:
    • At least one successful compound sentence with either comma/conjunction or semicolon structure.
    • At least one successful opening adjective sentence
    • At least one successful delayed adjective sentence

WORD CHOICE and STYLE
  • Utilizes vivid, lively verbs.
  • Avoids vague, overused, repetitive language (a lot, great, very, really, there is, there are, super, like . . .).
  • Word choice and phrasing gives the writer a personality or "voice".

GRAMMAR, USAGE, MECHANICS
  • No run-on sentences or fragments - READ YOUR PIECE ALOUD TO LISTEN FOR RUN-ONS. FIX AS NEEDED.
  • Subject/verb agreement
  • Consistent verb tense
  • Pronoun/antecedent agreement
  • Correct punctuation, capitalization, and spelling

EXPLODING A MOMENT
  • Clearly demonstrates the writer knows how to “explode a moment” using either a snapshot, a thoughtshot, or baby steps to draw the reader’s attention.

____/50



________/ 100

10- Excellent   
8 - Good   
6 - Fair
4 - Needs Work
2 - Unacceptable

Tuesday, December 6, 2016

Middle School English - First Trimester Happenings

Middle School English has taken on a different look this year. Class is based on a Reader’s and Writer’s Workshop model. During Reader’s Workshop this trimester, students have been selecting their own titles, allowing them to follow their own interests and read at an individualized level and pace. Through one-on-one work with us, class mini-lessons, and partner shares, students have been developing the stamina and skills to understand and enjoy longer, more complex titles. We encourage our students to read a variety of genres; they have set personal reading goals and tracked their progress throughout the trimester in their Reader’s Notebooks.  To showcase their understanding of their independent titles, students write letter essays about their reading. Topics covered include understanding character, making inferences, and supporting ideas using textual details. Students have also presented book commercials to each other, persuading their peers read similar titles. The excitement in the room was palpable as they discussed why their books were worth selecting.
Since September in addition to their letter essays, students have been writing
expository, narrative, and descriptive pieces. Using their Writer’s Notebooks as a seed bed for ideas, students have been practicing different types of writing skills from how to hook a reader and write a thesis statement to varying sentence structure by playing with adjectives. They even spent a class observing the outdoors and then turned those observations into a poem that focused on sensory details and rich vocabulary. They practiced telling a story with very few words.
Students are able to additionally practice their grammar (compound sentences, compound-complex sentences, complex sentences beginning with subordinate clauses, opening adjectives and delayed adjectives) when they craft their original sentences for their weekly Word Voyage lessons based on  classic Latin and Greek roots.

This has been a busy trimester, and we continue to develop the skills that make our students lifelong readers and writers. We are looking forward to building on the foundation we’ve laid in the first trimester as we head into the winter term. Second trimester highlights will include book clubs - again self-selected but with more than one student reading the same book at the same time to allow for rich discussion - and a study of poetry culminating in The Country School’s longest and most celebrated tradition, The MacLane Poetry Recitation.

Tuesday, October 25, 2016

Thursday, October 13, 2016

Bob Dylan Awarded Nobel Prize in Literature



Val Wilmer/Redferns, via Getty Images

Bob Dylan Awarded Nobel Prize in Literature

Bob Dylan, the poet laureate of the rock era, whose body of work has influenced generations of songwriters and been densely analyzed by fans, critics and academics, was awarded the Nobel Prize in Literature on Thursday.
It is the first time the honor has gone to a musician. In its citation, the Swedish Academy credited Mr. Dylan with “having created new poetic expressions within the great American song tradition.”
The choice of Mr. Dylan for the world’s top literary honor came as something of a surprise and was widely viewed as an expansion of the academy’s traditional notions of art. Mr. Dylan, 75, joins a pantheon that includes T. S. Eliot, Gabriel García Márquez, Samuel Beckett and Toni Morrison — the last American to claim the award, in 1993.
Read the entire article.